2016年12月19日月曜日

Nanki music libraryy-Keio University. Dec, 2016.

Auther Title
   
Albrechtsberger, Johann Georg Gründliche Anweisung zur Composition.  Leipzig: J. G. I. Breitkopf, 1790. 440 p. 25 cm. M-6 (2).
Arcadelt, Jakob Cinquanta, et sei madrigali a quattro voci dello eccellente musico Giaches Arcadelt ... Libro Primo.  Venetia: Plinio Pietrasanta, 1557. 46 p. 15 × 21 cm. N-1 (18).
Chilesotti, Oscar Da un Codice Lauten-Buch del Cinquecento Trascrizioni in notazione moderna.  Leipzig: Breitkopf & Härtel, ca. 1890. Pl. no. 18821. 101 p. 16 × 21 cm. N-5 (5).
Chilesotti, Oscar Lautenspieler des XVI. Jahrhunderts. Ein Beitrag zur Kenntnis des Ursprungs der moderne Tonkunst.  Leipzig: Breitkopf & Härtel, 1891. xvii, 248 p. 17 × 27 cm. N-2 (10).
Daube, Johann Friedrich General-Baß in drey Accorden, gegründet in den Regeln der alt- und neuen Autoren., 1756. Leipzig: J. B. Andrä, 1756. xxii, 215 p. M-1 (47).
Gamble, John Ayres and Dialougues (to be sung to the Theorbo-lute or Bass-viol).  London: W. Godbid, 1657. 82 p. 30 cm. N-6 (29).
Lawes, Henry Comus, a Mask.  London: J. Hughs, R. Dodsley, 1738. 52 p. 21 cm. M-6 (56).
Mattheson, Johann Das neu-eröffnete Orchestre.  Hamburg, B. Schiller, 1713. 338 p. 15 cm. M-5 (27).
Morley, Thomas A plaine and easie introduction to practicall musicke. 1597. Reprinted for W. Randall, 1771. iv, 257, 29 p. 26 cm. M-2 (21).
Morley, Thomas Canzonets, or little short songs to three voyces.  London: Thomas Est, 1593. 44 p. 21 cm. Include MS pages. N-5 (22).
Morley, Thomas Morley, Thomas. A plaine and easie introduction to practicall musicke. 1597
Orpheus Britannicus Orpheus Britannicus; or, The gentlemen and lady's musical museum: Consisting of one hundred favorite songs.  London: B. Cole, 1760. 98 p. 24 cm. N-1 (25).
Platford, John Select musicall ayres and dialogues, in three bookes.  London: T. H., J. Playford, 1653. 36, 33 p. 30 cm. N-6 (88).
Playford, Henry Deliciae Musicae: Being a collection of the newest and best songs sung at court and the Publick Theatres. 4 vols.  London: H. Playford, 1695-1696. 32, 24, 22, 18 p. 32 cm. N-6 (26).
Playford, Henry Deliciæ Musicæ: Being a collection of the newest and best songs sung at court and the Publick Theatres. 6 vols.  London: J. Heptinstall, H. Playford, 1695-1696. 32, 24, 22, 18, 18, 26 p. 32 cm. N-6 (104).
Playford, Henry Deliciæ Musicæ: Being a collection of the newest and best songs sung at court and the Publick Theatres. 7 vols.  London: J. Heptinstall, H. Playford, 1695-1696. 24, 18, 18, 18, 26, 18, 6 p. 32 cm. N-6 (103).
Playford, John Chioce ayres, songs, & dialogues. To sing to the theorbo-lute, or bass-viol. Being the most newest ayres and songs. 5 vols.  London: J. Playford, 1676-1684. 95, 67, 52, 87, 63 p. 32 cm. N-6 (20).
Playford, John The dancing master: containing directions and tunes for dancing.  London: W. Pearson, 1716. 358 p. 12 × 21 cm. M-5 (28).
Purcell, Henry Orpheus Britannicus. A collection of all the choicest songs for one, two, three voices. 2 vols.  London: J. Heptinstall, W. Pearson, H. Playford, 1698 & 1702. 248, 176 p. N-3 (15).
Purcell, Henry Orpheus Britannicus. A collection of all the choicest songs for one, two, three voices. 2 vols.  London: W. Pearson, J. Cullen, 1706 & 1711. 286, 204 p. N-7 (32).
Purcell, Henry Orpheus Britannicus. A collection of all the choicest songs for one, two, three voices. 2 vols.  London: W. Pearson, J. Young, 1721. 286, 204 p. N-7 (33).
Robinson, Thomas New Citharen lessons.  London: W. Barley, 1609. 53 p. 21 cm. M-6 (72).
Salmon, Thomas A proposal to perform musick, in perfect and mathematical proportions.  London: J. Lawrence, 1688. 42 p. 24 cm. M-6 (78).
Schilling, Gustav Musikalische Dynamik oder die Lehre von Vortrage in der Musik.  Cassel: J. C. Krieger, 1843. 367 p. 22 cm. M-6 (88).
Tailour, Robert Sacred hymns. Consisting of fifty select psalms of David and others.  London: T. Snodham, 1615. 136 p. 23 cm. N-1 (28).
W. Pearson, J. Young Harmonia Sacra: or divine hymns and dialogues: with a through-bass for the theorbo-lute, bass-viol, harpsichord, or organ. Vol. 1.  London: W. Pearson, J. Young, 1714. 130 p. 33 cm. N-6 (44-1).
W. Pearson, J. Young Harmonia Sacra: or divine hymns and dialogues: with a through-bass for the theorbo-lute, bass-viol, harpsichord, or organ. Vol. 2.  London: W. Pearson, J. Young, 1714. 112 p. 33 cm. N-6 (44-2).
Walsh, J The Catch Club or Merry Companions being a choice collection of the most diverting catches for three and four voices. 2 parts.  London: J. Walsh, ca. 1730. 17 × 24 cm. N-1 (2).
Weldon, John Divine harmony. Six select anthems for a voice alone with a thorow bass for the organ, harpsichord or arch-lute.  London: J. Walsh, [n. d.]. 29 p. 35 cm. N-7 (44).

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